SLJ: Is it time for me to speak yet? Is it cool? Actors that talk to you like this. And you have to kind of watch their mouths, and go… You know? I hate working with those actors that mumble. He’s very glib.īut, I tend to want to know what the other person’s gonna say, so I know when it’s time for me to talk. And you know, you can riff of it a little bit, and Ryan is very good at that. When you’re doing dialogue, occasionally, you get away with… something comes up funny in a moment, while you’re rehearsing it, and you keep it. Everybody knows what direction everyone’s going, and it looks like spontaneity, but it needs to be planned. Like fights, and certain kinds of things, you have to do it by the beat, or somebody gets hurt. And I was wonder if that was harder to do on a thing where there’s action beats and marks and stuff, or was there a bit of freedom? With comedies, you hear a lot in interviews about how much improvisation people did. You can’t speed on the Porsche, but you can actually speed on the speedboat. I had a Porsche for a long time, and then I reached a point where getting in and out of it was way more trouble than it needed to be. There are certain things that you don’t need any more. Of course, now that I’m older and wiser, I said ‘I’m not doing this.

I really regretted it, because I have two herniated discs, a dislocated… I have so many health problems now because of all those stunts. So they brainwashed me, and I always did my stunts. And, so, it makes you look bad if you don’t do it. If he could’ve, he would’ve been doing my stunts too. But Robert’s crazy, he always wants to do everything himself. Because, the first time I worked with Robert Rodriguez, he made me feel like, if you don’t do your stunts, people really look bad at you. Did either of you have to learn anything new for this one?

And obviously you’ve both done fight choreography and shooting people and stuff before. Both you have a fair bit of action to do in this film.

Salma hayek hitman bodyguard diet